Prop 28 & ELOP Resource Hub for California Districts
Helping districts maximize arts and enrichment funding through compliant, turnkey music and arts programs.
How This Hub Helps School & District Leaders
This resource hub is designed for California administrators, coordinators, and district teams seeking clear, compliant guidance on using Prop 28 and ELOP to support music and arts education.
Quick Start Resources
Prop 28 & ELOP
About After School Music Academy
At After School Music Academy, we partner with schools and districts across California to design and deliver compliant, high-quality music and arts programs funded through Prop 28 and ELOP. Known for our turnkey approach, we make it easy for educators to expand creative learning without adding administrative load — from credentialed instructors to ready-to-launch enrichment classes that align with state standards.
If your district is looking to build or strengthen its arts programs, our team can help you plan, staff, and implement a program that meets compliance and truly inspires students.
Frequently Asked Questions
How much funding does each district receive under Prop 28?
Prop 28 allocates 1% of California’s annual K–12 education budget directly to arts and music education. Funding amounts are determined by student enrollment — with 70% based on total enrollment and 30% based on the percentage of low-income students.
Each district receives its allocation directly and must use at least 80% for staffing (credentialed arts educators).
What can Prop 28 funds be spent on?
Funds can be used for:
Hiring or expanding qualified music instructors
Purchasing instruments, equipment, or supplies
Supporting arts integration and professional development
Districts must maintain a clear accounting trail showing that 80% went to staff and 20% to materials or program support.
Do unspent Prop 28 funds roll over?
Yes, but with rules.
Unspent Prop 28 funds can carry over to the next fiscal year as long as they remain in a restricted account and are used only for arts education. Districts should document why funds were unspent and how they’ll be used later (e.g., hiring delays or facility readiness).
What’s the difference between ELOP and Prop 28?
Districts must maintain:
A board-approved spending plan
Expense tracking that separates Prop 28 funds
Annual reports showing fund use and staff hired
Evidence of stakeholder consultation (teachers, parents, community)
Can charter or private schools receive Prop 28 funding?
Yes, charter schools receive funding directly based on their student enrollment.
Private schools do not qualify, since Prop 28 applies only to public education funding.
How can districts find compliant arts program partners or vendors?
Districts can partner with Prop 28-compliant education vendors to deliver programs, provided:
The vendor’s staff meet credential or instructional requirements
The program aligns with Visual & Performing Arts (VAPA) standards
Funding documentation is maintained by the district
How can districts find compliant arts program partners or vendors?
Districts can partner with Prop 28-compliant education vendors to deliver programs, provided:
The vendor’s staff meet credential or instructional requirements
The program aligns with Visual & Performing Arts (VAPA) standards
Funding documentation is maintained by the district
Why This Hub Exists
We created this Resource Hub to make it easier for California educators to navigate Prop 28 and ELOP funding without the jargon or guesswork.Our goal is simple: help schools bring more creativity into the classroom, through compliant, sustainable, and joyful arts programs.
Dr. Suzuki’s
Philosophy On Music
Dr. Suzuki’s “Mother Tongue” approach encourages introducing music to children at a young age, with caring and supportive instructors guiding the way. His philosophy is simple but powerful: kids thrive when they’re taught with love and encouragement. He also believed that music is more than just learning notes—it’s about teaching compassion, empathy, and a deep connection to the art.
Unlike the idea that musical talent is a rare gift, Dr. Suzuki believed that every child has the ability to grow their musical skills through practice and guidance. This belief is at the heart of what we do at After School Music Academy. We aim to nurture confidence, creativity, and a lifelong love of music in every student—because we believe that music has the power to shape not just musicians, but compassionate humans, too.
MUSIC
Arsh Sood
David Loving
Peter Petro
Sonya Wallace
Kian Stevens-Winston
Pedro Hernandez
Cole Brightbill
Frankie DeRosa
Tracey Singleton
Stephanie Finch
Daniel Alvarenga
David Wallace
Anna Lichtenberg
Sheena Dhamsania
Austin Jenkins
Melanie Reynolds
Erkin Abdulla
William Dai
Dror Marko
Leon Le
Enrique Lopez
Justin Nash Fisher
Ryan Gaughan
Jesse Griffith
Pam Severns
Jorge Sias
Mathew Jones
Julie Marner
Jacob Justus Men
DRUMS/PERCUSSION
Lisa Marie Maestos
David Wallace
GUITAR
John Henry Bradshaw
HIP-HOP/DANCE
Jiyoung Kim
Yvette Vazquez
Kamryn Chadwick
Victoria Nguyen
Miria Nicoll
Holly Sood-Diehl
Sandrine Bouton
Cassi Coleman
Rolleen Myers
Shira Colliander
MARTIAL ARTS
Pedro Baumfeld
David Duran
Tylea Fuhrmann
Julian Scarbrough-Wilner
Vince Tran
Casey Ryan
Jay Lopez
Ozer Ozturk
PIANO
Doris Harry
Rachel Phillips
John Henry Bradshaw
Harry Simmons
Somesh Das
Susan Jackson
Jon Yonts